![]() ![]() Miniature III consists of three sections, each exploring a different rhythmic profile. tour of Flederman and dedicated the score to the ensemble. He composed Miniature III in 1983 for a U.S. He also co-founded the contemporary ensemble Flederman in 1979 and served as the ensemble’s pianist and conductor for a decade. Electroacoustic music and dance scores accounted for many of Vine’s early successes, but he has gone on to write seven symphonies, 10 concertos and a large body of chamber music. ![]() Army Field BandĬarl Vine completed his first commissioned score at the age of 17, a year after winning a major competition for young composers. Performance notes for brass players from the U.S. ![]() The Ceremonial Fanfare begins with an unaccompanied trumpet outlining a theme filled with Copland’s characteristic open intervals of fourths and fifths, a statement echoed by solo trombone.Ī more reserved section introduces sensitive melodies traded between trumpet and trombone.Ĭonductor’s score, with markings from Leonard Bernstein This later work, however, omitted the percussion, giving it a more somber and introspective character. Like his earlier and more famous work in the same genre, the Fanfare for the Common Man composed during World War II, the Ceremonial Fanfare used a standard orchestral complement of 11 brass players. He contributed the Ceremonial Fanfare, which debuted the next year on his 70th birthday. This information is available online before or after the concert at nws.edu/Diversions.Īaron Copland was among the composers commissioned in 1969 to celebrate the upcoming centenary of New York’s Metropolitan Museum of Art. We're experimenting! Maximize your concert experience with expanded program notes, audio clips, additional resources and artist biographies. With movements like ‘Pale Yellow’ and ‘Fiery Red,’ Jennifer Higdon’s Trio asks “can colors actually convey a mood?” Nino Rota, known for his film scores including the haunting theme to The Godfather, took almost three decades to pen his Nonet for wind quintet and strings-a shock when witnessing its spontaneous-sounding joviality. Subtitled “Thirteen Images from the Dark Land,” George Crumb’s Black Angels is a surreal, unhinged look at fallen angels through an amplified string quartet. Flute, trombone, percussion and piano make an unusual ensemble for Carl Vine’s jagged miniatures. Sound the brass! Copland’s victorious fanfare is a fitting start to an afternoon of contemporary chamber music, featuring Martin Chalifour, Concertmaster of the Los Angeles Philharmonic. ![]()
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